ELECTROFLAMENCO 3.0
“The intensity of the work did not diminish the harmony or beauty of this art proposal. A performance in four times developed with elegance, delicacy and great temperance”
El País. Spain
As great as the title, as sensual and emotional as the piece: “Electroflamenco 3.0” is a dreamlike journey through the landscapes of life.
FlamencoDivino. Germany
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International Booking by Aurora Limburg
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“Electroflamenco 3.0” is a stage work in trio format where the live electronics and sound art of Artomatico open a space of creation, comunity and dialogue with the flamenco dance of Paula Comitre and the contemporary sax of Juan M. JIménez
Spanish musical tradition – flamenco as well as classical avantgarde music – define the fertile soil where to trigger the unique language of this trio. The three artists perform, sample the music, process it, mixing and transcending it. This is an auditive, visual, and emotional experience in deep artistic harmony. Physicalness and abstraction, avantgarde and tradition, experiments and dialogues are the elements of this three-dimensional playground. The flamenco rhythms take us on a journey without borders that is made up of communication, experimentation, improvisation, respect, sensitivity , past, future, and, most of all, freedom.
VIDEO
ABOUT ELECTROFLAMENCO 3.0
More than a decade ago, Daniel Muñoz, under his alias, Artomático, started experimenting with the possibilities of a dialogue between electronic music and flamenco. Growing out of a career as a drummer, sound engineer and producer, his debut album Electroflamenco was released in 2015, following several years of intense work. Daniel Muñoz created his own musical world with sequencers, samples, programming, rhythms, and sound, based on talks and experiments with dancers, musicians, and singers. Since then, this artistic work has undergone a continual evolution. Most recently, in 2020, Artomático teamed up with dancer Paula Comitre and saxophonist Juan M. Jiménez in a trio format for the concert ‘Electroflamenco 3.0’
More than a decade ago, Daniel Muñoz, under his alias, Artomático, started experimenting with the possibilities of a dialogue between electronic music and flamenco. Growing out of a career as a drummer, sound engineer and producer, his debut album Electroflamenco was released in 2015, following several years of intense work. Daniel Muñoz created his own musical world with sequencers, samples, programming, rhythms, and sound, based on talks and experiments with dancers, musicians, and singers. Since then, this artistic work has undergone a continual evolution. Most recently, in 2020, Artomático teamed up with dancer Paula Comitre and saxophonist Juan M. Jiménez in a trio format for the concert ‘Electroflamenco 3.0’
More than a decade ago, Daniel Muñoz, under his alias, Artomático, started experimenting with the possibilities of a dialogue between electronic music and flamenco. Growing out of a career as a drummer, sound engineer and producer, his debut album Electroflamenco was released in 2015, following several years of intense work. Daniel Muñoz created his own musical world with sequencers, samples, programming, rhythms, and sound, based on talks and experiments with dancers, musicians, and singers. Since then, this artistic work has undergone a continual evolution. Most recently, in 2020, Artomático teamed up with dancer Paula Comitre and saxophonist Juan M. Jiménez in a trio format for the concert ‘Electroflamenco 3.0’
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As great as the title, as sensual and emotional as the piece: “Electroflamenco 3.0” is a dreamlike journey through the landscapes of life
As great as the title, as sensual and emotional as the piece: "Electroflamenco 3.0" is a dreamlike journey through the landscapes of life. The compositions and sound landscapes of Daniel Muñoz “Artomático” are like a long river, not always calm, on which the boat glides. He knows every rapid and every sandbar, determines the pace [...]
“The intensity of the work did not diminish the harmony or beauty of this art proposal”. Journal El País. Spain
“The intensity of the work did not diminish the harmony or beauty of this art proposal. A performance in four times developed with elegance, delicacy and great temperance" Journal El País (Spain). Article about “Electroflamenco 3.0” by Fermín Lobatón
‘Tremor’ reviewed in France by Boulimequedemusique
The Spanish artist proposes an instrumental work with exploratory electronic sounds. Extremely atmospheric and musically mestizo, this piece captivates the attention with its shadowy atmosphere. Of great sound richness, this is a piece full of emotions, subtleties and intensity. Boulimequedemusique, may 2022 L’artiste espagnol propose une œuvre instrumentale aux sonorités électroniques exploratoires. Extrêmement atmosphérique et [...]
‘Tremor’ reviewed in Brasil by Playfonic
With a slow start, the music of Artomático’s ‘El Grito en el Cielo’ is an electronic instrumental with vocal melodies that add intensity and atmosphere. The artist combines traditional elements of Spanish flamenco with current ones, generating an intense and provocative atmosphere. A great song